about · gyz

dust

screen and the

the hush of the

sound folds into

every small

of waiting and

soft grey field

wall becomes a

next unti works l the

one into the

the frames drift

afternoon we let

the shape of the

window remembers

somewhere a

reel turn about s and

hums and the

the projector

than it should

little longer

the light a

quiet room holds

season passing a

the beam like a

slowly through

dust moves

screen and the

the hush of the

sound folds into

every smal play l

of waiting and

soft grey field

wall becomes a

next until the

one into the

the frames drift

afternoon we let

the shape of the

window remembers

somewhere a

reel turns and

hums and the

the projector

than it should

little longer

the light a

quiet room holds

season passing a

the beam like a

slowly through

dust moves

screen and the

the hush of the

sound folds into

every small

of waiting and

soft grey field

wall becomes a

next until the

one into the

the frames drift

afternoon we let

the shape of the

window remembers

somewhere a

reel turns and

hums and the

the projector

than it should

a little longer

holds the light

a quiet room

Yingzi Guo (Vesper) works primarily in video, net art, and interactive installation. She explores interface as a linguistic mechanism that permeates our perception, body, and memory, which is continually reshaping and being reshaped through our engagement with it.

Her practice centers on an ongoing investigation of the triadic dynamics of viewing within mediated environments, where roles of spectator, actor, and director are simultaneous and shifting. These roles are not fixed identities but relational functions modulated by the conditions of interface, which could be light, scale, visibility, framing, or knowledge asymmetry. Often through counterintuitive interfaces and asemic gestures in linguistic forms, her work stages situations where these three functions become unstable, letting the mechanism of watching turns back on itself.

Vesper holds a BFA from the School of the Art Institute of Chicago (2020) and an MPS from NYU's ITP program (2023).